{"id":11011,"date":"2026-01-01T09:45:21","date_gmt":"2026-01-01T09:45:21","guid":{"rendered":"https:\/\/pauaran.com\/?p=11011"},"modified":"2026-07-31T09:45:46","modified_gmt":"2026-07-31T09:45:46","slug":"das-gewaechshaus","status":"publish","type":"post","link":"https:\/\/pauaran.com\/de\/das-gewaechshaus\/","title":{"rendered":"Das Gew\u00e4chshaus"},"content":{"rendered":"

[vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_row_inner row_type=“row“ type=“grid“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_column_text css=““]Das Gew\u00e4chshaus<\/em> von Pau Aran Gimeno mit Of Curious Nature fragt wie K\u00f6rper gesellschaftlich gelesen, geordnet und bewertet werden \u2013 und wie sich diese Zuschreibungen zu ihrer gelebten k\u00f6rperlichen Erfahrung verhalten. Inspiriert u. a. von Miquel Miss\u00e9 und Brigitte Baptiste untersucht die Arbeit den K\u00f6rper als lebendiges, wandelbares Gef\u00fcge in zahlreichen Verbindungen. Zwischen zuordnender Lesbarkeit und verk\u00f6rperter Erfahrung, zwischen Ordnungssystemen und Biodiversit\u00e4t, erscheint Identit\u00e4t nicht als feststehend, sondern als dynamischer Prozess. Der Titel Das Gew\u00e4chshaus verweist auf einen Raum des Wachstums, der zugleich Schutz und Regulierung bedeutet. So wird das Gew\u00e4chshaus zur Metapher f\u00fcr K\u00f6rper, die sich zwischen Anpassung und Widerstand, zwischen individueller Erfahrung und gesellschaftlichen Zuordnungen bewegen. Mit den T\u00e4nzerinnen und T\u00e4nzern von Of Curious Nature er\u00f6ffnet Das Gew\u00e4chshaus nicht zuletzt Perspektiven auf den K\u00f6rper als vielf\u00e4ltige, verletzliche und gemeinsame Form des Lebendigen.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_empty_space height=“60px“][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““ css=“.vc_custom_1586963273150{padding-top: 7% !important;padding-right: 5% !important;padding-bottom: 7% !important;padding-left: 5% !important;background-color: #f1f1f1 !important;}“][vc_column][vc_row_inner row_type=“row“ type=“full_width“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_column_text css=““]<\/p>\n

Das Gew\u00e4chshaus<\/h3>\n

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2026<\/p>\n

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CHOREOGRAFIE Pau Aran TANZ Lys Cabral, Wan-Yun Chen, Jed Nagales, Agathe Mas, Panna Poszony, Tiago Reis, Daniel Sabia, Pere Sansaloni Servera, David Schmidt, Carolina Verra CHOREOGRAFISCHE ASSISTENZ, TRAININGSLEITUNG Albert Garrell LICHTDESIGN Carlos Heydt KOST\u00dcM Isabel Pe\u00f1a MUSIK Music Komit\u00e9, Mo‘ Horizons, CocoRosie<\/p>\n

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BESONDERER DANK AN Miquel Miss\u00e9, Brigitte Baptiste, Aaron Samuel Davis<\/p>\n

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PROJEKTENTWICKLUNG Anke Euler MANAGEMENT Kerstin Witges TECHNISCHE LEITUNG Nathaniel Johnson PRODUKTIONSLEITUNG Moritz Petri FILM & MEDIEN M\u00e9doune Seck FOTO Mariann Menke, M\u00e9doune Seck<\/p>\n

 <\/p>\n

Eine Produktion von TanzRAUM Nord in Koproduktion mit steptext dance project. Gef\u00f6rdert vom Fonds Darstellende Ku\u0308nste aus Mitteln der Beauftragten der Bundesregierung fu\u0308r Kultur und Medien, vom Senator fu\u0308r Kultur Bremen und der Waldemar-Koch-Stiftung, Bremen.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_empty_space][vc_gallery interval=“3″ images=“10966,10970,10974,10978,10982,10986,10990,10994,10998″ img_size=“full“ css=““][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_empty_space height=“10px“][vc_column_text]<\/p>\n

\"Pau<\/p>\n

[\/vc_column_text][vc_empty_space height=“50px“][\/vc_column][\/vc_row]<\/p>\n

<\/div><\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_row_inner row_type=“row“ type=“grid“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_column_text css=““]Das Gew\u00e4chshaus von Pau Aran Gimeno mit Of Curious Nature fragt wie K\u00f6rper gesellschaftlich gelesen, geordnet und bewertet werden \u2013 und wie sich diese Zuschreibungen zu ihrer gelebten k\u00f6rperlichen Erfahrung verhalten. Inspiriert u….<\/p>\n","protected":false},"author":4,"featured_media":10978,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[172],"tags":[],"class_list":["post-11011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creating-ge"],"yoast_head":"\nDas Gew\u00e4chshaus - Pau Aran<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pauaran.com\/de\/das-gewaechshaus\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Das Gew\u00e4chshaus - Pau Aran\" \/>\n<meta property=\"og:description\" content=\"[vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_row_inner row_type=“row“ type=“grid“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_column_text css=““]Das Gew\u00e4chshaus von Pau Aran Gimeno mit Of Curious Nature fragt wie K\u00f6rper gesellschaftlich gelesen, geordnet und bewertet werden \u2013 und wie sich diese Zuschreibungen zu ihrer gelebten k\u00f6rperlichen Erfahrung verhalten. 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