{"id":6186,"date":"2020-11-20T12:18:11","date_gmt":"2020-11-20T12:18:11","guid":{"rendered":"http:\/\/pauaran.com\/lettre-damour\/"},"modified":"2022-07-24T15:02:35","modified_gmt":"2022-07-24T15:02:35","slug":"lettre-damour","status":"publish","type":"post","link":"https:\/\/pauaran.com\/de\/lettre-damour\/","title":{"rendered":"Lettre d\u2019amour"},"content":{"rendered":"

[vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_row_inner row_type=“row“ type=“full_width“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_column_text]<\/p>\n

Lettre d\u2019amour ist ein Duett \u00fcber das fleischliche Begehren und die Entdeckung des Appetits auf alles Fehlende. Dieses einst\u00fcndige Tanztheaterwerk ist eine Zusammenarbeit zwischen Pau Aran, dem Dramaturgen Alberto Conejero und der Schauspielerin Consuelo Trujillo, die auf Texten des peruanischen Dichters C\u00e9sar Moro basiert.<\/p>\n

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Pau Aran fragt sich darin: Wie tanze ich f\u00fcr, \u00fcber und auf jemanden zu, der abwesend ist? Wie tanze und dr\u00fccke ich das aus, was nicht mehr existiert? Wie tanze ich, nachdem ich bereits ein ganzes Kapitel getanzt habe? Wie tanze ich jetzt, wo meine Tanzkarte voll ist? Wie tanze ich einen Neuanfang?<\/p>\n

 <\/p>\n

Dieses Duett entsteht aus all diesen Fragen, aus all den Momenten der Abwesenheit, die sich im K\u00f6rperged\u00e4chtnis angesammelt haben und die nicht mehr wissen, wo und mit wem, oder wie man weitertanzen soll. Es gr\u00fcndet auf den Spuren des bereits zur\u00fcckgelegten Weges und auf dem unbekannten Weg, der vor uns liegt.<\/p>\n

 <\/p>\n

Die zugrunde gelegten Texte stammen von dem Dichter C\u00e9sar Moro (Lima, 1903-1956), der eine poetische Kosmos begr\u00fcndet hat, der trotz seiner Leidenschaft und Tiefgr\u00fcndigkeit vielen auch heute noch unbekannt ist.<\/p>\n

Er lebte sein kurzes Leben als fieberhafter Mystiker, dem alle Kanons und Normen fremd blieben. Moro sprengte die Grenzen der Welt und f\u00fchrte eine neue Sprache ein. Sein gesamtes Werk hat die Temperatur eines elektrischen und surrealistischen Fiebers. Von Lima \u00fcber Paris nach Mexiko und zur\u00fcck nach Lima bringen die geographischen Koordinaten seiner Biografie sein Wesen als wandelbares Gesch\u00f6pf und Migrant deutlich zum Ausdruck. Seine Schriften sind eine Art Blitzableiter f\u00fcr die R\u00e4tsel der menschlichen Existenz und vor allem der Liebe.<\/p>\n

 <\/p>\n

Der Dramaturg Alberto Conejero hat sich ausf\u00fchrlich mit dem Werk von C\u00e9sar Moro befasst, insbesondere mit \u2018La tortuga ecuestre\u2019 (1938), seinem einzigen Text in spanischer Sprache, mit \u2018Cartas de amor a Antonio\u2019 (1939) und \u2018Lettre d\u2019amour\u2019 (1942), sowie mit einigen biografischen Details aus dem Leben des peruanischen Sch\u00f6pfers (insbesondere mit seiner Beziehung zum Tanz, die durch eine Verletzung unterbrochen wurde) und aus dem Leben von Pau Aran selbst.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_empty_space height=“60px“][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““ css=“.vc_custom_1586963273150{padding-top: 7% !important;padding-right: 5% !important;padding-bottom: 7% !important;padding-left: 5% !important;background-color: #f1f1f1 !important;}“][vc_column][vc_row_inner row_type=“row“ type=“full_width“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_column_text]<\/p>\n

Lettre d\u2019amour<\/h3>\n

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2020<\/p>\n

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CO-REGIE Pau Aran, Alberto Conejero, Consuelo Trujillo INTERPRETATION Consuelo Trujillo, Pau Aran CHOREOGRAFIE Pau Aran DRAMATURGIE Alberto Conejero K\u00dcNSTLERISCHE ZUSAMMENARBEIT Leah Marojevi\u0107, Theo Clinkard, Pep Ramis MUSIK Chabuca Grande, Arturo M\u00e1rquez, Olivier Messiaen, J.S. Bach B\u00dcHNENBILD Stefan Jovanovi\u0107, Paco Padilla BELEUCHTUNG Sergio Roca, Irene Ferrer BESONDEREN DANK El Armario de Pepa PRODUKTION N\u00faria Aguil\u00f3 Sol DISTRIBUTION Godlive Lawani VIDEO Charlie Cattrall KOPRODUZENTEN UND UNTERST\u00dcTZUNG Produziert mit Grec 2020 Festival de Barcelona Unterst\u00fctzt von L\u2019animal a l\u2019esquena, CND -Residencias de Creaci\u00f3n, nunArt Gr\u00e0cia und Nave 73.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_empty_space height=“30px“][vc_row_inner row_type=“row“ type=“full_width“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_gallery type=“image_grid“ images=“7659,7662,7665,7668,7671″ img_size=“full“ onclick=““ column_number=“3″ grayscale=“no“ space_between_images=“yes“][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=“30px“][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_video link=“https:\/\/youtu.be\/QqoWTXvy4pM“ align=“center“][vc_empty_space height=“20px“][vc_gallery interval=“3″ images=“6031,6035,6032,6034,6033,6036″ img_size=“full“][\/vc_column][\/vc_row][vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_empty_space height=“10px“][vc_column_text]<\/p>\n

\"Pau<\/p>\n

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<\/div><\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_row_inner row_type=“row“ type=“full_width“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_column_text] Lettre d\u2019amour ist ein Duett \u00fcber das fleischliche Begehren und die Entdeckung des Appetits auf alles Fehlende. Dieses einst\u00fcndige Tanztheaterwerk ist eine Zusammenarbeit zwischen Pau Aran, dem Dramaturgen Alberto Conejero und der Schauspielerin…<\/p>\n","protected":false},"author":4,"featured_media":6197,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[172],"tags":[],"class_list":["post-6186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creating-ge"],"yoast_head":"\nLettre d\u2019amour - Pau Aran<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pauaran.com\/de\/lettre-damour\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lettre d\u2019amour - Pau Aran\" \/>\n<meta property=\"og:description\" content=\"[vc_row row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ text_align=“left“ background_animation=“none“ css_animation=““][vc_column][vc_row_inner row_type=“row“ type=“full_width“ use_row_as_full_screen_section_slide=“no“ text_align=“left“ css_animation=““][vc_column_inner][vc_column_text] Lettre d\u2019amour ist ein Duett \u00fcber das fleischliche Begehren und die Entdeckung des Appetits auf alles Fehlende. 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