‘The problem with gender is that it prescribes h

‘The problem with gender is that it prescribes how we should be rather than recognizing how we are. Imagine how much happier we would be, how much freer to be our true individual selves, if we didn’t have the weight of gender expectations.’ (Chimamanda Ngozi Adichie, We Should All Be Feminists)
Photo: @amorosfilm

Desde mi ventana, veo esta montaña. Estoy en Gine

Desde mi ventana, veo esta montaña. Estoy en Ginebra, haciendo parte de la primera creación de @sidilarbicherkaoui junto con el @balletgtg. La pieza se llama Ukiyo-e, que podría traducirse como ‘mundos flotantes’. Katsushika Hokusai fue uno de los pintores y grabadores japoneses más conocidos adscrito a este género. Al despertar, la belleza de esta montaña me inspira. Calma mi corazón, mi mente y me da fuerza para seguir. ⛰🫀🌊

Vlaemsch (chez moi) by @sidilarbicherkaoui. Tour 2

Vlaemsch (chez moi) by @sidilarbicherkaoui. Tour 2022. Beautiful people.❤️‍🔥

@eastman_dancecompany
@doroteasaykaly @tister_ikomo @nickcoutsier @jonas__vandekerckhove @dayanakhmedgaliev @dnndbdhdhdueuk @art2face @idogidron @helenaolmedoduna #kazutomikozuki
@darrylelsworthwoods @tsubasahori_taiko @khalidkoujili @annerindahl @florisderycker @tomasmaxeiranzo @michaela_riener #Christineleboutte

Today last performance at @cultuurcentrumhasselt o

Today last performance at @cultuurcentrumhasselt of Vlaemsch (chez moi) by @sidilarbicherkaoui with a wonderful team of artists, technicians and administration crew. For many more opportunities next year as well! What a chance to be part of this…
@eastman_dancecompany
@doroteasaykaly @tister_ikomo @nickcoutsier @jonas__vandekerckhove @dayanakhmedgaliev @dnndbdhdhdueuk @art2face @idogidron @helenaolmedoduna #kazutomikozuki
@darrylelsworthwoods @tsubasahori_taiko @khalidkoujili @annerindahl @florisderycker @tomasmaxeiranzo @michaela_riener #Christineleboutte

Farewell and seven lives ago / Lebewohl und sieben

Farewell and seven lives ago / Lebewohl und sieben Leben vor

Coloquio en Frankfurt y en Berlín después de la

Coloquio en Frankfurt y en Berlín después de la muestra de trabajos por parte de lxs artistas invitadxs. Un gusto y un honor haber curado y coordinado un proyecto así. ¡Gracias por la oportunidad! ¡Por muchas más experiencias bonitas dentro de la gestión cultural!

@instituto_cervantes_berlin
@institutocervantesfrankfurt
@spanienkultur
@cooperacionesp
@spainfrankfurt2022
@steptextdanceproject

@amancio8342 ❤️
@albacastillochoreography ❤️
@ivanperezaviles ❤️
@jonesanmartinasti ❤️
@galindoalbert ❤️
@franticsdancecompany ❤️

Once upon a time…

Once upon a time…

Ulli Weiss, born in April 1943 in Bonn, worked fro

Ulli Weiss, born in April 1943 in Bonn, worked from 1961 to 1969 for Lufthansa in Bonn and Munich before becoming assistant to Professor Otto Steinert at the Folkwang School for Design, Essen, in 1969/70. In autumn 1971 she began a photography and photojournalism degree under Steinert which she completed in 1976 with a dissertation on free theatre ensembles in Europe. She first met Pina Bausch and made friends with her when still a student. She first photographed pieces by the Tanztheater Wuppertal in 1976, a role she continued up until her death. She was Pina Bausch’s favourite photographer and, in the early years especially, was responsible for the company’s image in the media. She remained modest, however, when asked about her photographs; she saw herself more as a theatre- than a dance-photographer. But perhaps for precisely this reason she had the right approach to Pina Bausch’s work from the start: both restrained and precise. Her work was never dominated by the construction of her own perspectives; instead she sought to connect with the pieces from within and render them palpable. Her eye was unpretentious and yet forceful. Ulli Weiss never placed her own artistic vision in the foreground, always the work. Up until her death Ulli Weiss was involved in almost every Tanztheater Wuppertal publication: festival leaflets, programmes and books. Her admiration for Pina Bausch’s work remained consistent and unshakable. Ulli Weiss died in early July 2014 at the age of 71 in Wuppertal.

(Excerpts from a text by Norbert Servos. Translated by Steph Morris)

Photo: ‘Bamboo Blues’. A piece by Pina Bausch.

After a little change on the schedule, here are th

After a little change on the schedule, here are the final dates for the online @b12.research.or.die workshop: 3rd & 4th of December. Hoping to see you there! Thank you all for your understanding and b12 again for this wonderful opportunity. Photo: @bastianhessler.

Thinking of you: @alanlucien , #helenepikon and @s

Thinking of you: @alanlucien , #helenepikon and @stephtroyak. Good times remain forever in the heart. I celebrate the extraordinary capacity to keep the best of each moment in life. Whichever direction things take. Wherever you are now, I hope you are able to still do that. Sending you love stronger than anything. Photo: @matsbacker

“Deberíamos considerar perdidos los días en qu

“Deberíamos considerar perdidos los días en que no hemos bailado al menos una vez”. Friedrich Nietzsche
Foto: @jordividalfoto

Teaching in Chile. Photo: @dnovoah

Teaching in Chile. Photo: @dnovoah

Trailer of Vlaemsch (chez moi) by @sidilarbicherka

Trailer of Vlaemsch (chez moi) by @sidilarbicherkaoui and @eastman_dancecompany in collaboration with @hans_op_de_beeck, @florisderycker and @janjanvanessche.

Shooting by @claudiakempf_photo

Shooting by @claudiakempf_photo

Rehearsing ‘Constellations’ by @studiostefanjo

Rehearsing ‘Constellations’ by @studiostefanjovanovic. Photo: @camillagreenwellphotography. ✨

@melival87, @ccarvento, @isabel_______pm y @pau.ar

@melival87, @ccarvento, @isabel_______pm y @pau.aran.gimeno ‘La misma diferencia’. Photo: Pablo Lorente.

@isabel_______pm
@melival87
@ccarvento
@juan.j.ochoa
#Eva Martínez
@karamazana
@stane.pam
@i_am_apricot.productions
@centrocoreograficocanal
@teatroscanal
@goetheinstitut_madrid

@isabel_______pm en ‘La misma diferencia’ de @

@isabel_______pm en ‘La misma diferencia’ de @pau.aran.gimeno. Photo: Pablo Lorente.

@isabel_______pm
@melival87
@ccarvento
@juan.j.ochoa
#Eva Martínez
@karamazana
@stane.pam
@i_am_apricot.productions
@centrocoreograficocanal
@teatroscanal
@goetheinstitut_madrid

Os comparto el artículo escrito por @luismunozdie

Os comparto el artículo escrito por @luismunozdiez para Tarántula Cultura (revistatarantula.com).

Podéis acceder a través del link en bio de su perfil @luismunozdiez.

Gracias Luis y Tarántula Cultura por este feedback!

@isabel_______pm
@melival87
@ccarvento
@juan.j.ochoa
#Eva Martínez
@karamazana
@stane.pam
@i_am_apricot.productions
@centrocoreograficocanal
@teatroscanal
@goetheinstitut_madrid

Imagen: @ccarvento y @melival87 en ‘La misma diferencia’ de @pau.aran.gimeno. Photo: Pablo Lorente.

Heute Tanz! @institutocervantesfrankfurt @spanie

Heute Tanz!
@institutocervantesfrankfurt
@spanienkultur
@cooperacionesp
@spainfrankfurt2022
@steptextdanceproject

Ikonoklast Festival. Photo: Christian Klein

Ikonoklast Festival. Photo: Christian Klein

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